Hartke Bass Attack Review

hartke bass attack vxl thumb

Hartke Bass Attack pedal is a pretty good one-box solution for bass players. It works as a  preamp, direct box,  and a sound shaping pedal. After the release of a debut album for a local musician Dred Scott, we, producers of the album, ended up playing first few live shows with him. We started to search for some compact solution for bass guitar since we had no intention of taking our recording studio on the stage. We needed something small, flexible, with decent quality, and under $100 (yes, we drink cheap beer). Read more…

2 comments - What do you think?  Posted by Amo - December 30, 2011 at 12:05 am

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GTDaudio review for G-788 wireless microphone system

G788H150

We recently posted series of video reviews for GTDaudio G-788 wireless microphone system. This article will summarize our youtube reviews and add some more information about this wireless microphone system. We will show few tricks how to tune it up and tweak few things to make it easy to work with GTDaudio G-788 wireless microphone system.

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3 comments - What do you think?  Posted by Amo - June 7, 2011 at 5:06 pm

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Motu ultralite mk3

Motu Ultralite mk3

Video review for MOTU ULTRALITE mk3 hybrid USB/Firewire recording interface

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57 comments - What do you think?  Posted by Amo - January 19, 2011 at 8:18 pm

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Behringer XM8500

behringer-xm8500-150

Comparative video review - Behringer XM8500 vs shure SM58. Review includes visual and sound comparisons between Behringer XM8500 and shure SM58.

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19 comments - What do you think?  Posted by Amo - at 8:06 pm

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ART DPS II

lg_dpsII-150

Review for ART DPS II Tube Preamp. ART’s DPS II mic preamp has much in common with the ART Digital MPA that I reviewed recently insomuch as it is a dual-channel tube mic preamp with variable impedance, adjustable tube ‘flavouring’, and an in-built analogue-to-digital converter, but it is different in several key areas. Immediately noticeable is its 1U format, but its 96kHz upper sample-rate limit is also lower than that of its big brother — the Digital MPA goes up to 192kHz — and its tube stage has been configured to offer presets for various types of sound enhancement using a system ART refer to as V3 or Variable Valve Voicing. Amazing, isn’t it, that the only time an American company uses the British word for valve is when it happens to conveniently start with the right letter to make up a catchy trademark?

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44 comments - What do you think?  Posted by Amo - at 8:03 pm

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Alesis Control Pad

Alesis-Control-Pad-150

Video review for Alesis Control Pad.

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65 comments - What do you think?  Posted by Amo - at 7:29 pm

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Welcome!

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audio recording and production blog,

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Be the first to comment - What do you think?  Posted by ProducerD - January 18, 2011 at 1:42 am

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